Here's a little puzzle for people who habitually read literary journalism, especially in Australia.
What is quite unusual about this piece by Ian Rankin? What does it have that we don't often see in articles about literary favourites and highlights, or indeed in literary journalism at all?
In which dashing Donners and oracular Oreo contend for the pond's top spot ... - Nothing delights the pond more than reading an anti-censorship tract, especially if it emanates from the bowels of the Catholic church, or perhaps dashin...
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